This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment I do remember him talking about studying Conklin's methodology, and, = what struck me was, seeing the pictures of a conventional string maker = standing there, holding the wrap in his gloved hand, and operating the = machine with his foot switch, or something- compared to modern computer = operated machines, computer scaling programs, etc. I would guess that = it just has to be more consistent to do it taking advantage of = technology in that manner. I know several techs (including me), that = said that they were going to try his strings, and the consistency has to = be better, right? Clark Sprague ----- Original Message -----=20 From: Delwin D Fandrich=20 To: Pianotech=20 Sent: Tuesday, October 14, 2003 11:50 PM Subject: Re: Longitudinal mode info I assume you mean Arledge. We do use strings from him and we like = them a lot. They are nicely and precisely made, but he wraps to my core = and wrap specifications and I make no attempt to tune the longitudinals. = . I want uniform inharmonicity for good tunability. . I also want tight = and consistent wraps that don't rattle and buzz..=20 I do know Arledge has studied Conklin's work on the subject and I = assume he has adopted at least part of Conklin's methodology=20 Del ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/2a/3e/18/e3/attachment.htm ---------------------- multipart/alternative attachment--
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