Hammers are made of felt. Felt is sheep fur and an organic material. Organic materials oxidize. Wool oxidizes. If you had a 100 year old wool sweater, you would not be able to wear it. It would simply be too busy turning into powder to be able to stay a sweater. Piano hammers at an age when they have turned yellow. (the color that tells you the felt has oxidized) cannot be strong any longer. It takes quite a bit of strength in the felt fibers to bounce off the strings as new hammers do. That bounce is what produces the tone that we like. As the felt oxidizes and turns to powder, the grooves develop extremely fast. Haven't you ever noticed the yellow powder resting on the damper blocks under a set of grooved hammers. That does not happen under a 10 year old set of grooved hammers like it does under a 90 year old set of grooved hammers. Anything that speeds oxidation deteriorates hammers. Smoky environ is acid and oxidizes felt. Humidity can oxidize but too much makes the glue let loose and the hammers come apart. Chemical air pollution speeds oxidization. High oxygen levels, too. Have you noticed how pianos in Denver and other areas with thinner oxygen seem to last longer? The same things cause oxidation in other organic materials. Players, my specialty, are particularly susceptible to oxidation in the leathers, cotton cloth, natural gum rubber, and other supplies used in player and pipe organ systems. This is also why the leather on hammer butts turns into powder and wears through to the felt underneath in many older pianos. Expecting that deterioration is why I replace hammer butts on so many pianos. D.L. Bullock St. Louis www.thepianoworld.com <http://www.thepianoworld.com> -----Original Message----- From: gordon stelter [mailto:lclgcnp@yahoo.com] Sent: Friday, February 06, 2004 7:18 PM To: Pianotech Subject: Re: Aging of hammer felt I believe that decades of humidity cycling usually shrinks the felt, making the hammers harder. But I have encountered some truly wonderul hammers ( a few ) over 70 years old. So this must depend, to some degree, on the original mode of manufacture and materials used. Thump
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