> In the case of the Mason AA which I started this thread discussing > there is any reticence at least on my part to improve this piano. My only > (major) limitation is the plate But which is also true of the old Stwy A > being currently mentioned. I have reproduced one of those with the > original bridge & string scale & with a really good board & bearing setup > it was quite good. In retrospect though the next one will probably get a > closer look in the modification dept. I'm not a fan of the three bridge config. I am, more and more, a big fan of the three bridge configuration. In fact, if I were designing a new piano and could design a plate I wanted (rather than working around the existing one), I'd still give first consideration to using three bridges. The poor examples of three bridge configurations we see aren't the result of using three bridges instead of two. They're the result of poor scale AND soundboard design. Rather than trying to tweak the existing scale on top of the original soundboard design, you would be ahead building a board designed to accommodate the bridges designed to accommodate the scale designed to accommodate the existing plate. There are at least two people posting to this list who do this sort of re-design on a per-piano basis (as opposed to having a specifically established template for every model of every manufacturer that ever existed). Del is one, and I am another. But you knew that. Ron N
This PTG archive page provided courtesy of Moy Piano Service, LLC