At 09:16 11/5/2004 -0800, you wrote: > >WHen I'm in the temperament section, I'm constantly using reference > >strings for checks -- testing fifths with the major sixth below the lower > >note of the fifth, for example. How do you do this efficiently using a > >single rubber mute? > > > >Do you mean you use strings you havent tuned yet as references? I dont do > >that; I just tune as I go, using the tests Ive learned within the notes > >Ive tuned. Email me privately, Jason, and well talk about this so you can > >get an idea of what Im doing.... > >David Andersen > > >Let's see. We'll talk about Bush and Kerry on the list, but when you're >going to have a discussion of tuning you're going to take it off list? I >think you ought to carry on this discussion here. When I read Jason's post >I thought the question above echoed my own questions (or skepticism, if you >will) about this single mute method. I don't have a lot of trouble seeing >that it might work well outside the temperament octave, but I'm skeptical >that it would result in a better temperament octave in a reasonable amount >of time. I would appreciate more specific details about the process that >you follow to set the temperament octave using one mute. > >Phil Ford Without going through ALL the checks which could be used by going outside of the temperament octave, I feel compelled to ask how one tunes the initial A or C. If you are an aural tuner using a fork, do you go at A/C cold - direct to fork, or do you use an F/G# (or some other note) to compare beatspeeds to the fork? If you _DO_ make that comparison, do you feel it necessary to first tune F/G#, etc. so you can use it? ...and what do you use for that? If you DON'T use checks utilising notes other than those already tuned, I feel that you are handicapping yourself. Conrad Hoffsommer - Keyboard Technician Luther College, 700 College Dr., Decorah, Iowa 52101-1045 Vox-(563)-387-1204 // Fax (563)-387-1076 -The only substitute for bad manners is good reflexes.
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