David: I usually try a few with Protek, which doesn't always work, so I use the shrink solution in that case. Then I put Protek afterwards to "seal" them. The Protek seems to provide some kind of waterproofing. I've also found that if I shrink the centers first, and they aren't loose enough, I'll put Protek on them and they get loose real fast. Also, I've been plagued with sluggish flanges of late, and have found that the most reliable way to get rid of sluggishness is to ream and repin. I've had several actions come back that had sluggish flanges which are still getting sluggish after I did my usual shrink routine. I believe that the felt is too tightly pressed in the hole for a given humidity range, and with a little extra moisture it expands and causes sticking. If the piano is in a damp environment, even if you dry it out, it will be a problem later. I recently had to replace a set of flanges on a Kimball console. The flanges came without a centerpin. I had to fit the centerpins to the birdseye, and resize the flange bushings to fit. The bushings were sooo tight that I used a flame to heat the centerpin while it was forced into the bushing cloth. It ironed the cloth enough to make the flange loose enough to use. However, overnight the flanges became too tight, so I did it again. Same result- too tight the next day. I finally used a reamer to finalize the sizing process, and the result is still ok after a week. I have a "Zapper" which I made years ago. (Newbies: a Zapper is a contraption which uses a doorbell transformer to run a current through a tight flange centerpin. It heats the centerpin and "irons" the bushing felt). I have been using it lately to help with the above actions. I've found that it works only temporarily. I've had flanges that worked fine after using it, and just out of curiosity, removed the centerpin to see how tight it was. The new pin was too tight. This just reinforces my theory that reaming and repinning is the way to go for permanent repair. Regarding the use of alcohol and water, it is my understanding that the alcohol does both, reducing surface tension and carry the water into the felt. It also dilutes the water, so it doesn't shrink the cloth too much. Straight water is too strong, and your flanges will end up too loose. Don't ask... Hope this helps. Paul McCloud San Diego > [Original Message] > From: Dave Nereson <davner@kaosol.net> > To: Pianotech <pianotech@ptg.org> > Date: 11/05/2004 10:40:43 PM > Subject: Re: sluggish centers > > > ----- Original Message ----- > From: "William R. Monroe" <A440WRMPiano@tm.net> > To: "Pianotech" <pianotech@ptg.org> > Sent: Friday, November 05, 2004 8:36 PM > Subject: Re: sluggish centers > > > > Dunno, > > > > But let me add to the question. Do we first lubricate then shrink if > > necessary, or shrink, then lubricate? I've done it both ways, but wonder > > what others think. I generally go for lubing first, that almost always > > frees everything up. Which would be the "proper" order on this one? > > > > William R. Monroe > > Madison, WI > > Assoc. > > I would think it's a matter of degree. After Protek-ing a few of > them, > they loosened up a bit, but some were so tight, it didn't have any effect. > I'd say if they're just a little sluggish, try lube first. But if > they're quite slow in returning, shrink the bushings with alcohol/water. > Overshrinking is definitely possible. I did it once using just water, > no alcohol. > > But wait a minim -- why do we mix it with alcohol, anyway? Is the > alcohol spose to help carry the water into the felt? Or does it lower the > surface tension of the water? Or does it make the solution have a less > drastic effect than straight water? I LIKE the surface tension because it > allows me to "hang" a droplet on the side of the bushing, or to "stretch" > the droplet between adjacent flanges, where it sits until it soaks in, > wheareas with the surface tension lowered, it tends to just run down the > side of the flange. > > Once I put one of those sluggish actions in the hot summer sun for a few > hours, went and tuned someone else's piano, came back, and they were all > freed up enough for me to tune it. (This was in a piano that had been > unused in a basement for a long time). > --David Nereson, RPT > > > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives
This PTG archive page provided courtesy of Moy Piano Service, LLC