The evidence of different soundboards (and soundboards in various conditions) needing hammers of varying densities is so abundant in the piano circles that I run in that I don't even know what to say to those who are interested in this possibility except try it for yourself and see. You wouldn't put a very hard Renner hammer designed for a Boesendorfer on a piano that would sound best with a Ronsen soft Bacon felt hammer--and there are many such examples out there. A lengthy explanation as to why that might be is more than I am prepared to get into at this point but in as much as new soundboards require different types of hammers (think Yamaha hammers on a NY Steinway or vice versa) so will old ones. An old ugly Yamaha that probably sounded ok with a Yamaha hammer when it was new, may very well sound better with a softer Wurzen hammer now that it's older and responding differently and tends to support my point. The evidence is at least empirical whatever the science may or may not convince you of. While a medium hammer may give the most flexibility to go either way on many pianos, there will be cases where hammers which fall at one end of the spectrum or the other will be the better fit. As far as how long a hammer will last, unlacquered versus lacquered; the issue seems to be how much lacquer and how it is applied. A weak stiffening solution probably doesn't do much to effect the life of the hammer. But since lacquer gets harder and more brittle over time, a heavily lacquered hammer will not last in terms of controllability as long as an unlacquered hammer, assuming it hasn't been needled to death. David Love davidlovepianos@comcast.net -----Original Message----- From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On Behalf Of Richard Brekne Sent: Friday, October 01, 2004 5:04 AM To: ilvey@sbcglobal.net; Pianotech Subject: Re: Evidence of overlacquered hammers ...That went to claims about soundboard condition dictating this or that kind of hammer. I dissagreed ...
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