I dunno, that pink might just set off a candy-apple-red plate just right! Again, I think all this should simply reflect the rebuilder's intentions. If you are trying to rebuild a Ford Model T to original, your paint color would of course be limited to black. But if you are making a hot rod out of it, then any color is fair game. Same for pianos. Look at what Steinway is doing, and has done, with some of their art-case pianos. I love it! Nothing wrong at all with doing something outrageous. Terry Farrell > } > }Recently someone asked whether mattered what color stringing > }cloth is used > }when restringing a Kawai grand. My answer would be: Yes, for me, it does > }matter. > } > }For many piano manufacturers, the stringing color is connected to the > }company's identity. Can you imagine a Steinway with yellow or green felts > }on the plate? Call me a stickler, but I am a bit saddened when I see a > }fine old Bechstein or Bluthner, rebuilt with red stringing cloth and red > }backed damper felts. And when the stringing cloth is that pinky red cloth > }which has made the rounds, my stomach turns. Although the felt color is > }strictly visual and not functional, I can't help but wonder what other > }attention to detail has been skipped in the rebuilding process. Why would > }anyone skimp on five dollars on a job worth thousands? SNIP > } > }Jurgen Goering
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