jason kanter wrote: >As my aural tuning improved back in the Day, I noticed that I was often >concentrating, in the low bass, on the fifth-tenth partial -- not to >eliminate that beat but to make it gradually slower as I descended. Now that >we use ETDs to do our listening, the danger is that we forget. Each piano >has its own deep bass flavor -- some of the upper partials are stronger, but >it varies by piano. It's extremely valuable to pay attention to what your >ears are telling you! > > > Amen to that. I personally use the ETD only as a reference, and I only use it to directly compare coincident partials as my ear does. Typically I reference the 6:3 coincident all the way down. Combining the knowledge that this pair should be quite close to pure the whole way with what my ears tells me <<sounds>> right for the piano at hand, insures exactly the kind of tuning I intend to execute every time. Letting the machine do all the work for you is IMHO a less then optimal way of maintaining your aural abilities. Cheers RicB
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