Jason, >Clarifying: I was asking the former, and I took Andre's answer to be a reply >to the former. I don't think there is any argument that hard blows >themselves produce tones that are less pleasant, have exaggerated upper >partials, etc. I was asking whether the hard blow, used purely as a means of >"proving" the stability of the unison, will damage the unison somehow, even >if the unison is afterwards played softly and is found not to have moved. >Andre seemed to say that yes, the hard staccato blow actually does damage to >the unison. I'm still scratching my head. As far as I'm concerned, one HAS to give the note a "firm" blow to test the stability. No matter how one tunes the unisons. JMHO! I know I'd never want to tune for a Prokovief concerto without doing that! :-) Avery
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