Richard, Your attachment was not included. Could you try sending it again, thanks. BTW Broadpark is rejecting mail, so I have to go via the list. AF ----- Original Message ----- From: "Richard Brekne" <rbrekne@broadpark.no> To: "Alan Forsyth" <alanforsyth@fortune4.fsnet.co.uk> Sent: Saturday, April 02, 2005 11:03 AM Subject: Re: P 12ths revisited > Hi Alan. > > Curious that you should put it this way. Hadnt really ever thought of D3 > such before using it (along with A4) to set concert pitch as part of > setting P12ths. But when you mention it, yes that area is critical and D3 > is right at the heart of that area. Its where I make the transition from > tuning octave types to twelth types. 12ths up over, and 8ths downwards. > > Included is the file. I'm sure you know how to get it into your Pocket PC. > Just put it in the same folder where the default tuning file is. > > Cheers > RicB > > > Alan Forsyth wrote: > >> Yes, that D3 is an extremely important note to get right first time, >> mainly because of it's strategic position. On 90 per cent of pianos it is >> the first note in the bass, or should be. I always include it in my >> temperament, or bearing scale. D3 is the first note I tune after A440. >> >> I'll take you up on your free offer, thanks Ric. >> >> AF >> >> >> --- > > >
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