Alan, A warning. That server doesn't accept anything from anyone! Usually! :-) Been there, had that happen! Avery At 01:34 PM 4/2/05, you wrote: >Richard, > >Your attachment was not included. Could you try sending it again, thanks. >BTW Broadpark is rejecting mail, so I have to go via the list. > >AF >----- Original Message ----- From: "Richard Brekne" <rbrekne@broadpark.no> >To: "Alan Forsyth" <alanforsyth@fortune4.fsnet.co.uk> >Sent: Saturday, April 02, 2005 11:03 AM >Subject: Re: P 12ths revisited > > >>Hi Alan. >> >>Curious that you should put it this way. Hadnt really ever thought of D3 >>such before using it (along with A4) to set concert pitch as part of >>setting P12ths. But when you mention it, yes that area is critical and D3 >>is right at the heart of that area. Its where I make the transition from >>tuning octave types to twelth types. 12ths up over, and 8ths downwards. >> >>Included is the file. I'm sure you know how to get it into your Pocket >>PC. Just put it in the same folder where the default tuning file is. >> >>Cheers >>RicB >> >> >>Alan Forsyth wrote: >> >>>Yes, that D3 is an extremely important note to get right first time, >>>mainly because of it's strategic position. On 90 per cent of pianos it >>>is the first note in the bass, or should be. I always include it in my >>>temperament, or bearing scale. D3 is the first note I tune after A440. >>> >>>I'll take you up on your free offer, thanks Ric. >>> >>>AF >>> >>> >>>--- >> >> > >_______________________________________________ >pianotech list info: https://www.moypiano.com/resources/#archives
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