This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Thanks! Calin Tantareanu ---------------------------------------------------- http://calintantareanu.tripod.com ---------------------------------------------------- ----- Original Message -----=20 From: Piano Forte Supply=20 To: pianotech@ptg.org=20 Sent: Friday, April 29, 2005 6:42 AM Subject: RE: Pitch in 1860 Israel Stein is certainly correct when he writes; " ...the Paris Grand = Opera had its own pitch, the Opera Comique had its own pitch and a third = opera house (whose name I do not remember) had yet another pitch. In = addition, the military bands used their own pitch and the church had yet = another pitch..." I also agree when he writes: "It is probably foolish to think in terms = of "standard pitch" (even for a locality) much before the late 19th = century - it simply was not a realizable concept." I have a bit more trouble when he writes: "The Pleyels and the Erards = had to build pianos that could go up and down in pitch as needed. As = did all piano builders of this era. As to what the range was - that I = don't know... A good guess would be somewhere between 420 and 435 - = though other pitches (even above 440) are not unknown in this time..."I = would argue to the other direction, that while pitches below 440 were = not unknown, most seem to have been above that. There is a fair amount of pitch data which can give us an idea of = trends and developments which certainly dispels the "standard pitch A = 435" notion. Here are some examples from France, all from Ellis' measurements of = collected tuning forks: Paris Grand Opera, 1856/58 : 446.2, 445.8, 448.0 Hz Paris Italian Opera, 1854/56: 442.5, 447.4 Hz Paris Opera Comique, 1854: 448.0 Hz Paris Conservatoire, 1856; 446.2 Hz Toulouse Conservatoire, 1859: 437.0 Lille Conservatoire, 1859: 452.0 Hz Marseille Conservatoire, 1859: 447.0 Earlier pitches were generally lower, but pitches in the second half = of the 19th century were mostly higher than today, and in many instances = up over 450 Hz, such as a NY Steinway fork at 457.2 Hz (1879) For more examples, visit http://www.mozartpiano.com/pitch.html and = scroll down the page. =20 While the French commission set the "Standard" of 435.0 Hz in 1858, it = seems to have been not much more than a proposal, which was largely = ignored in favour of higher pitches in the following decades. So, for those of us who service vintage instruments, is it time to = retire that A-435 fork and bring in an A-445 fork? <g>. Jurgen Goering Piano Forte Supply ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/d6/ff/9f/bc/attachment.htm ---------------------- multipart/alternative attachment--
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