Del, It's a class that has been missing, sadly, from a few conventions of late. Way too bad for us!!!!! Greg At 12:55 PM 6/25/2005, you wrote: > > >| -----Original Message----- >| From: pianotech-bounces@ptg.org >| [mailto:pianotech-bounces@ptg.org] On Behalf Of David Skolnik >| Sent: June 24, 2005 6:30 AM >| To: pianotech >| Subject: Redesigning Mason Hamlin A? >| >| .... I'm posting this as >| a general question to the list to get a better sense of how >| this particular scale (or group of scales) is viewed. I may >| not be in a position to implement any ideas put forward, at >| the moment, but it would give me an idea of what to be >| looking out for. For example, I've noticed that the top end >| of the bass section is extremely cantilevered and has a >| fairly short back scale. From what I've been reading, I >| gather this is less than ideal. > >The M&H A is one of the pianos I use in my piano design and remanufacturing >seminars as an example of how not to design a bass section. In that seminar I >show pictures of the original and discuss its limitations. I also show >pictures >of what can be done to improve the situation without too much trouble. (Well, >you do have to replace the bass bridge which usually means replacing the >soundboard. But, other than that....) > >Contact me privately if you want more information. > >Del >Delwin D Fandrich >Piano Design & Fabrication >512 Hanna Avenue >Aberdeen, Washington 98520 >USA >Phone 360.532-2563 >Fax 360.537-1262 ><mailto:fandrich@pianobuilders.com> ><http://www.pianobuilders.com> > > >_______________________________________________ >pianotech list info: https://www.moypiano.com/resources/#archives Greg Newell Greg's piano Forté mailto:gnewell@ameritech.net
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