At 11:00 AM 5/17/2005, David Ilvedson wrote: >A hall I do work for brought in a group for a performance last >week. They brought a tuner who tuned (they brought their own piano) the >piano to a Just tuning. Performance involved a grant and what have >you...anyway, I missed the performance but did get a chance to play the >piano the next day. I've got to tell you I couldn't get used to beatless >thirds...really sounded weird. Is this suppose to be the "sweet" sound? No it isn't. It doesn't work on the high-tension modern piano - the effect is distorted by high inharmonicity and by the weakness of the middle overtones relative to the fundamental. Which is why I think that people who tune modern pianos to Just Intonation or meantones are nuts. It does sound rather nice on low tension strings (harpsichords, viol consorts and such) - and there is nothing more beautiful than winds or voices tuned in pure triads... > If so I'm sticking with a low sugar diet...;-] Of course a beatless > third and then the next one really fast is so disconcerting...I imagine > when playing in the correct key and not venturing out of it one could > enjoy the sound... Just Intonation has nothing to do with "keys". In the era that it was used the concept of "keys" didn't exist. Israel Stein
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