adventures in pitch-raising

Piannaman@aol.com Piannaman@aol.com
Wed, 18 May 2005 09:52:35 EDT


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I'm surprised at how much tension it takes to break a piano string, even a  
russty one.  In the last week, I've worked on two pianos that were 100  cents 
or more flat, and in each case, there was substantial rust on the  strings.
 
The first was a "petite" Kimball that had taken a circuitous route to  CA 
from Florida, stopping for storage along the way.  I should have turned  the job 
down, but it was "mom's" piano(mom had pased away not long ago),  and the new 
owner just wanted it to play "a little bit".  I said  I'd do it, but that she 
needed to keep her expectations low.  In  retrospect, and after seeing where 
and how she lives, I should have made other  recommendations, but the 
"sentimental value" part always gets me.
 
After cleaning it inside and out, filing crust from the hammers, and doing  a 
few minor repairs, I set about trying to get it to pitch.  I might have  
considered tuning it "where it was" but it was so all-over-the-map pitchwise,  
that I decided to crank it up to 440.  
 
There was plenty of rust on strings and pins, so I was a bit worried about  
string breakage.  As I began to yank up the bass, the tone improved  vastly.  
No string breakage until the very high treble, and then it was  only 1 string.  
It took more time than any pitch adjustment I've ever  done.  
 
Monday of this week, I went in to my son's pre-school to tune an old  
Chickering console(Aeolian product) that had been donated by a staff  member.  Opened 
up the case, cleaned out spiders and their domiciles,  dusted and vacuumed 
inside, got all the notes "working", and set about crankin'  her up.  100 cents 
flat, rust on strings and pins.  "Oh well, they've  gotta know what the piano 
is SUPPOSED to sound like AT PITCH," I told myself,  donning my safety glasses 
and goose-juicing all the bearing points.
 
Same deal.  Zero breakage this time, though.  By the time I  got through the 
third pass of the treble, it sounded okay.  
 
I was quite surprised to get through those two pianos virtually  unscathed.  
Don't know that I would have tried Michael Gambles' technique  on either of 
these, though...
 
Thanks for reading,
 
Dave Stahl
 
 
 
 

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