List, As mainly a "reader," I appreciate learning so much from your conversations and archives. As a Steinway artist and university prof. who enjoys working on his own pianos, my perspective might be a bit different from a typical customer. Both sides of this discussion make valid points, but my only concern is an attitude that "my work is always perfect since I'm the pro." I can't afford that view of myself as a musician or teacher: as a teacher, much of it involves seeing and respecting the perspective of other people (even when I also see their sophomorism); as a musician, a self-critical attitude promotes growth, improvement, work, etc. BTW, even though I'm the "expert," I'm always learning from my students. A list of my experience with technicians could go on and on, and most of them are very positive, but when they're not so positive, it is often due to this attitude. Here's a question for you: I've seen local techs who don't set pins properly, then when the pins slip after a rehearsal, they want to charge more to fix unisons before the performance. Who's to know who's "right" here? Perhaps it's the piano, perhaps the player is being too picky, yes--but there's also the possibility the technician isn't setting the strings and pins properly and doesn't realize this. Is it just a question of the technician's time? I don't know the answer to this, but wouldn't you agree that if a piano goes out of tune after 1/2 hour of playing, there's probably a problem with the technician's technique (I'm not talking about old PSO's)? On one occasion, I saw a store technician voice a hammer past the point of deadness in the attempt to eliminate a buzz, when the actual problem was a damper wire touching the string. Then there were the leather key bushings that squeaked and stuck, that a technician at a major university did not notice. OK--you get the point--I'm not trying to pick on technicians. Technicians are skilled professionals, and, yes, some are artists. Anyone can miss something--a pianist can misread a note or harmony, and when this happens to me, I'm grateful if someone tells me. I don't want to spend time practicing a misreading. That's a clear-cut case, and most situations aren't that clear. Still, I think no matter how much of an expert you are, it's good to be responsive to people's perceptions, and to realize that there's always the chance that you might have missed something. Just my 2 cents worth. Tim Timothy Ehlen U of Illinois ---- Original message ---- >Date: Mon, 12 Sep 2005 07:30:39 -0400 >From: Phil Bondi <phil@philbondi.com> >Subject: Re: President's message >To: Pianotech <pianotech@ptg.org> > > > >Ric Brekne wrote: > >I don't think I'll regret this: > >> Many non tuners read the journal and indeed this list. And very many >> indeed are going to react as myself and obviously significant numbers >> of other techs. > >If there are people out there reading this to support this allegation, I >would hope that those people would come forward and express the same >displeasure/disturbing feeling that has been made here. > >I am more than just a little tired of allegations without numbers being >put into text..being made public on a world-wide list of respected >professionals..which is what I am losing when I read stuff like >this..respect. > >no flame suit required. > >-Phil Bondi(Fl) > > >___________________________________________ ____ >pianotech list info: https://www.moypiano.com/resources/#archives
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