I sure as heck do. The japanese pianos worked. They sounded tubby as hell, but they worked and were dependable. The majority of instruments coming out of China, Indonesia, Russia, and Malaysia just plain dont work. I was in a store a while back whilst a so called Nordiska was unpacked. It had been sitting on the floor for a few hours and litterally exploded. We were drinking coffee chit chatting and heard this huge KaBooonggg... (yes I remember the horse) Upon investigation we found that the entire left hand lower corner of the soundboard had popped loose and cracked severely. Great stuff. Actions that simply dont function and can not be made to function, Tuning pins that break off because they are too cheaply made in too tight a fit, pinblocks splitting, pedals that fall off... just about every bizarre event you can imagine. I never ever saw either Kawaii or Yamaha instruments do any of these kinds of things. For that matter not Young Changs or Samicks either... tho I have experienced a much hyppiger quantity of dead Koreans soundboards then Japanese after 10 years or so of use. Understand me correctly tho... Give the Chinese a few years experience under their tofu bellies... and they will get it right. Or right enough. But for now... I remain unimpressed... big time. Cheers RicB -------------- I don't see much difference between the Japanese pianos exported into the USA 40 years ago and the Chinese pianos exported to us within the last ten years. Both were of dubious durability. But the Japanese piano makers quickly improved the manufacturing process, materials and workmanship and now we all benefit from their pianos. The Chinese have been following the same path the Japanese did (and making some of the same mistakes), and now there are some pretty respectable pianos being made in China, and they are getting better every year. For many consumer products, including pianos, manufacturing moves to cheap, skilled, labor. And when the labor gets too expensive, it moves again. My personal opinion is that a future generation of piano techs will complain about the poor pianos being made in India (and perhaps refusing to work on them) and comparing them to the great, but more expensive pianos being built in China. Mark Wisner
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