NEWS FLASH! "Conover clobbers Steinway !"

Farrell mfarrel2@tampabay.rr.com
Sat, 4 Feb 2006 11:13:05 -0500


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> The primary acoustic function of the ribs is to transfer sound cross=20
> grain more or less as fast as it otherwise buzzes along the grain.

Really? Sez who? How?

I have a nasty feeling this has been discussed ad-nauseum in the past, =
but I gotta ask.

Terry Farrell

----- Original Message -----=20

> Prompts me to ask a bit about an idea being thrown around in an off =
list=20
> dialoug I am having with a couple folks. The idea is not mine but it=20
> sounds intriguing.  Let me throw this at you (and whomever else might =
be=20
> interested to comment). I'll let the fellow who threw this at me speak =

> up for him/her self if they so choose.
>=20
> The primary acoustic function of the ribs is to transfer sound cross=20
> grain more or less as fast as it otherwise buzzes along the grain.  =
What=20
> if we could make a soundboard with enough crown support perpendicular =
to=20
> the bridge without support  from the ribs (or nearly as much as we use =

> in todays instruments) ?
>=20
> The idea that strikes me as being able to perhaps do exactly this is =
to=20
> allign the grain perpendicular to the bridge, and construct a=20
> pre-crowned soundboard panel of several laminants, all with grain =
going=20
> the same direction. With the grain going perpendicular to the bridge =
and=20
> what crown support the unribbed soundboard would have, cross grain=20
> ribbing would be able to do their acoustic job and provide a bit of=20
> extra support to the curvature of the wood while being of much smaller =

> dimensions.  In addition... the bridge itself would function like the=20
> ribs in speeding sound cross grain.  It might be a way of approaching=20
> the different requirements of the bass and high treble areas.
>=20
> Cheers
> RicB

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