felt mutes -- was RE: Working while tuning

Andrew and Rebeca Anderson anrebe@sbcglobal.net
Fri, 06 Jan 2006 09:30:02 -0600


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I stopped using rubber in grands when one of my mutes started leaving 
a black signature behind.  Felt works great and doesn't stain the 
strings.  Problem is unisons are so close in uprights it usually 
doesn't work in them.  But, uprights are left closed so rubber is OK, 
I did throw away the one that left its signature.

Andrew Anderson

At 07:40 AM 1/6/2006, you wrote:
>Whereas I've never tried a large rubber wedge, I have tried the 
>regular rubber mutes in the past that I use on uprights. On grands, 
>I find that the felt mutes are easier to insert, are very stable 
>(stay where you put them), and mute exceptionally well. You can also 
>place them fairly loosely in place and still mute well - I always 
>wondered how jamming those rubber mutes in between strings might be 
>affecting the pitch of a string that was already tuned.
>
>They just seem to work better to me.
>
>And besides, they don't make that screeching noise that a rubber 
>mute can sometimes make!
>
>Terry Farrell
>----- Original Message -----
>
>Any particular reason you prefer the felt mutes to rubber mutes?
>
>John Formsma
>
>----------
>From: <mailto:pianotech-bounces@ptg.org>pianotech-bounces@ptg.org 
>[mailto:pianotech-bounces@ptg.org] On Behalf Of Farrell
>
>Below is a picture of the assortment of felt wedge mutes I use for 
>tuning grand pianos. I get them from Pianotek. The two on the right 
>come as one big wide one and I cut it in half. Also pictured is my 
>key whacker (I mean gently but firm key depressor). (Hey, those old 
>Yamaha hammers are good for something!)
>
>I also use the mute on the lower left for wound strings in verticals.
>
>Terry Farrell
>


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