I realize that some tuners prize the opportunity for pitch correction and tuning then boast about the money making venture. For the most part, I see that as a disservice to the customer. I'm not referring to major pitch corrections of a quarter to half tone flat but within 2 to 4 beats either side. Unless there is a compelling reason to maintain 440 because of playing with fixed-pitch instruments or a Pianomation or similar; floating the pitch benefits the customer financially and reduces pin wrenching on the piano. The tuning is more stable having not subjected the piano to a tension change. For those compelled to set the piano to 440 at a tuning consider where the pitch will reside between tunings. I instruct the owners that if I tune it to 438 now that it will traverse through 440 as the humidity elevates and ending up sharp of 440. Then the tuning during high humidity will be at 442 or 444 depending on the fluctuation. Once I know the range, I can tune it seasonally to maintain a 440 median, also taking into account the relative position of the bass and treble; levelling off. I strive for the least overall tension change. Where there has been a financial concern but not a pitch concern, I have pulled it up the maximum amount to be still left with an appreciable tuning. Over a few years the piano is at pitch. Or yanked it up for beginners' ear training sacrificing the extremes; they'll be pulled-in with subsequent tunings as the students progress. You can pull it up 4 bps (16 cents) and be left with an appreciable tuning. -- Regards, Jon Page
This PTG archive page provided courtesy of Moy Piano Service, LLC