Hi Phil, Maybe you just have the wrong customers. :-) Do you have other "jobs" you've completed that you can use as references? That--and places you provide service (I know you do some concert work) can build trust--especially if it's a public institution (church, school, etc) with which people are familiar. I suppose having new parts on hand and perhaps even doing a "test" installation of a few would be a good demonstration--though I've never done it. But I have pointed out worn parts, what the regulation should be, etc. When I go about informing folks what their pianos need, I just lay the facts out there--whether it's repair, voicing, regulating, humidity control, rebuilding, etc., state the advantages & disadvantages (of not having whatever done--it's not going to get any better). I suppose enthusiasm, honesty and confidence play a part of my side. The customer's ability to pay and their commitment to music/the instrument are things I can't change. I'm not going to be the person to try to force the sale of anything because I hate to be pushed by other sales people. I will try to help the customer make an informed decision. I hand out PTG technical bulletins. I have a few things I say, depending on the situation, to help people understand. My favorite for normal folks (not high-end musician types), is--"You've probably seen some old upright pianos that sound like tin, the keys are all uneven and some don't even work. Well, those are pianos that have only been tuned."--or--"That can happen to any piano." We all find our own way. Can you think back to what the circumstances were on the jobs you did sell? Well, I need to go now, it's time for my commitment to my son's piano lessons. ;-) Best, Barbara Richmond, RPT near Peoria, IL ----- Original Message ----- From: "Phil Bondi" <phil at philbondi.com> To: "Pianotech List" <pianotech at ptg.org> Sent: Wednesday, June 14, 2006 5:31 AM Subject: Re: Piano evaluation proposal - getting them sold on it >I want to change this up for the next part of the discussion..and I am >hoping that this year's Convention will shed some light for me personally. > > I am perhaps the worst salesman in the world - the guy who couldn't sell > heat to an Eskimo..yet when it comes to knowing my abilities and what I > can do with a particular instrument, I am left with my word and my word > only. > > So I am asking: how do you get them to spend the necessary funds to do the > work that's needed? This K&B, which, in my opinion James, WOULD be a good > piano. With the proper treatment, that 5'4" would sound at least a foot > bigger. We all know that..but how do you get them to do it? > > Are there samples one brings into an evaluation..physical > samples..good-looking paperwork (ahem)?? - for every 10 jobs I appraise I > might get one of them. I would really like to improve that ratio. Hey - if > I double it, I'm way ahead of the game!! > > Not all the jobs I see are complete re-manufactures - some are your basic > hammer/shank/flange/ regulate variety, and then there's the old upright - > ornate case - family heirloom - Billings Flanges - and they shriek when > they hear anything above 5k to do the work right.....the one thing I > insist on mentioning at the time of appraisal is that my word is my bond, > and what's on paper is what you'll pay. I don't like the "come in low, get > the job, and take it from there" approach. I would not want that done to > me, and hence I won't do that to potential clients. > > Granted, there are people out there, perhaps reading this, that do this > type of work full time, but might shy away from this piece because: they > have enough work, or it's not worth it to them to spend the time to > re-manufacture the instrument...but then there's people like myself with a > bevy full of knowledge, and good deal of practical experience, good > business practices, a willingness to make it right, and I can't get them > to tune it.... > > My breath doesn't stink, and I take a shower every day. > > How do you get them to pull the trigger? > > -Phil Bondi(Fl) >
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