Hi Stéphane I tend to agree, tho that goes against the grain of the modernist who support the RC&S philosophy. Wograms article provides a very good justification for this I believe. In that article ribs are looked at from a perspective that has nothing to do with crown or down bearing support. The influence of rib numbers and dimensions on the acoustics of the soundboard is the only concern of his article. It is interesting to note that he sites 2 primary acoustic functions of the ribs. One is to increase soundboard stiffness as a whole. It is this bit that is interesting with regard to the RC& C vs CC discussions to my mind. It is clear that placing the panel under compression cross grain will increase its stiffness to a significant degree. This is especially valuable because the increase comes about without any additional mass. That is to say, one adds mass when one adds ribs, but if one figures panel compression into the equation one gets extra stiffness for the same amount of total mass. I.e. a compression soundboard with the same set of ribs will have more stiffness compared to a non CC board all other things being equal. The other function he sites is the the need to compensate for the anisotropy of wood. The reason he gives should be unquestioned at this point I think. You basically reduce the effective vibrating area of the soundboard in half if you do not compensate for this, and that says nothing about the impedance problems one would most likely create in the bargain. Cheers RicB Hi Ric. I believe that the panel (soundboard) must be under some compression to sound well..... Best regards. Stéphane Collin.
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