Yes, the string bearing is reversed, but the concept behind is that you don't have tension sideways on the bridge, which helps the soundboard vibrate more freely. Yoshi On 5/2/06, Calin Tantareanu <calin.tantareanu at gmx.net> wrote: > > Hello Yoshi! > > The Paulello agraffes are not exactly like the Steingraeber ones, as > Richard explained. They are both touching the string in 3 points, but the > string bearing on them is reversed. > In the Steingraeber the string (as seen from the speaking length) bears > frist downward on the front agraffe edge, then upward on the pin that locks > the strings, and then downward again on the on the back agraffe edge. > In the Paulello agraffes, the strings bear first upwards on those holes, > then downwards on the round pin, and upwards again on the holes to the > rear. I have never played a Paulello piano, so i can't comment on how his > agraffes work. But I would expect an effect quite similar to the ones used > by Steingraeber. > > Regards, > > > Calin Tantareanu > ---------------------------------------- > http://calin.haos.ro/c/instruments/ > The Bechstein group & mailing list: > http://groups.yahoo.com/group/bechstein/ > -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20060502/a596516d/attachment.html
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