At 02:39 PM 5/31/2006 -0400, you wrote: >What is the "official" rationale for splaying the strings within a >trichord at the bridge? or is it one of those little bits of piano >folklore that keeps propagating because it's assumed to be "necessary >because we've always done it"? It's done even on straight-strung >stringbands, as much as to the point of having all strings the same >separation at the bridge, like you see on some over-strung pianos. > >What dire consequence might result from keeping strings parallel within a >trichord? And have these consequences actually been confirmed >experimentally or by supposition? > >Stephen >-- Wild, uneducated guess on my part: - keeping enough wood between bridgepins to prevent immediate splitting?? Conrad Hoffsommer All I ask is a chance to prove that money can't make me happy.
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