Hi Stephen, To load the bridge somewhat more evenly, just a guess. Joe Goss RPT Mother Goose Tools imatunr at srvinet.com www.mothergoosetools.com ----- Original Message ----- From: "Stephen Birkett" <sbirkett at real.uwaterloo.ca> To: "Pianotech List" <pianotech at ptg.org> Sent: Wednesday, May 31, 2006 12:39 PM Subject: trichord string splaying > What is the "official" rationale for splaying the strings within a > trichord at the bridge? or is it one of those little bits of piano > folklore that keeps propagating because it's assumed to be "necessary > because we've always done it"? It's done even on straight-strung > stringbands, as much as to the point of having all strings the same > separation at the bridge, like you see on some over-strung pianos. > > What dire consequence might result from keeping strings parallel > within a trichord? And have these consequences actually been > confirmed experimentally or by supposition? > > Stephen > -- > Dr Stephen Birkett > Piano Design Lab > Department of Systems Design Engineering > University of Waterloo, Waterloo ON Canada N2L 3G1 > tel: 519-888-4567 Ext. 3792 > Lab room E3-3160 Ext. 7115 > mailto: sbirkett[at]real.uwaterloo.ca > http://real.uwaterloo.ca/~sbirkett
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