Hi Clark Yes, I agree. And I think Jon Page does as well by and large. This has been my point nearly from the get go with Stanwood. It is IMHO primarily an action balancing and ratio diagnostics tool. Stanwood will counter by pointing out that the range of regulation parameters that can fit the window of <<acceptable>> Strike Weight Ratios is large enough to accommodate just about anything from 5.0 to 6.4. This is true if you accept being able to vary key dip from 9.5 to 11 mm, blow from 44-- to 48 ++ mm, and letoff from 1.5 to 3 mm. And indeed many techs (and pianists) will accept these figures. But stop and think for a second. A 11 mm dip, and a 44 mm blow AND a 3 mm letoff all at the same time so as too facilitate a low Stanwood ratio ?? Not me at any rate. I more or less agree with Jon Page on this. Align the action so as to achieve optimum performance with regard to its geometry, then take Stanwoods methods into use to balance the resulting ratio. If you do want to change the overall ratio, do that first. Much like we would always do a good regulation first before attempting to take good BW measurements required to find the Stanwood ratio. All this said. Acquainting oneself with Stanwoods methodology is IMHO one of the best moves any action tech can take. There is very much valuable insight into the world of action performance waiting for you there. Cheers RicB OK, then. It would seem to me (as a not-too familiar with Stanwood's protocols as of yet) that you would need to look at both the distance parameters, and after that is determined to be in an acceptable range, then look at the SW-FW parameters to reach the optimum performance. In the B mentioned some time ago, I had to reduce the dip to about 3/8", and increase the blow to just above the cushions to get a minimal, but still adequate aftertouch. This reduced the heavy, unmanageable feel of the action. It is still a little heavy, but feels much more responsive. So, I would guess that the distance ratios were wrong to start with, because there were excessive leads in there from the beginning. And things got worse when the parts were replaced, as more leads (that were not factory in appearance) were added at that time. So both distance and SW/FW parameters were compromised, Right? I wish that I had taken measurements at the time. We found someone who liked it, and subsequently bought it. I saw in the PTG Leader Letter that a Stanwood class was going to be held at the Home Office in the spring. I guess this would be a good place to start, eh? Clark A. Sprague, RPT
This PTG archive page provided courtesy of Moy Piano Service, LLC