Hi Ric, Well, it's pretty little! :) Hmm, I was actually wondering about the power issue, since I've heard more than once concerns about Renner hammers cutting through the orchestra in a bigger hall. I've never heard of a problem with a Hamburg Steinway being heard. There is a possibility that I *may* have another big, not as big, but still big, dead hall to try to fill. :) Since I hear oo-la-las about Hamburg Steinway pianos (Yes, I understand that this is a NY piano) and groaning about the hammers coming out of NY, I thought I'd test out Hamburg hammers as another possibility. Just thinking out loud here, you understand. BTW, Brooks Encore (the plain ones) hammers solved the problem on that Seiler grand I was goofing around with for so long. Two problems were solved--the nasty sound and a touchweight problem that hadn't been mentioned by the customer (I pointed it out). He was extremely pleased with the results. Ed Sutton will be happy to know that I ended up using pitch-locks on two of the notes instead of brass half round, etc. ;) This was the customer who had developed a hearing sensitivity and wanted me to do something about the tone quality to satisfy his ear, but also have the piano be acceptable to his musician friends. As a technician friend said to me, how often does one get that kind of request? Barbara Richmond, RPT near Peoria, IL ----- Original Message ----- From: "Ric Brekne" <ricbrek at broadpark.no> To: <pianotech at ptg.org> Sent: Saturday, October 07, 2006 10:19 AM Subject: Hammer Types > Hi Barbara > > And a pretty little head it IS !! :) > > > Here the questions that have been floating around in my pretty > little head > recently (ahem): > > 1. Would someone out there know the differences (if there are any) > between > the Hamburg Steinway hammers and the hammers Renner sells in the US? > > Most definantly. But assuming the voicer did his job well enough, the > resulting difference should be rather transparent. > >
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