richard.ucci at att.net wrote: > List , Kranich & Bach baby grand, ca: 1964 , e and f 5 are catching on > the plate after shift pedal is engaged. I have filed off some felt on > the under side of the hammer shoulder, but still sticking. Does not > seem to be any space to push action in further. Any solutions? I have the same problem right now with a 1924 Bechstein Model C. What appear to be original hammer-heads, worn, to be sure but not really badly, seem to have been hitting the iron frame under the agraffes (Bechstein has agraffes right to the top) since the piano was new, and at least a dozen hammers are badly chewed up at the front in the top two sections. When I first reported on the piano I remarked that the tone overall was excellent but that the top treble was weak and woolly. I am now almost decided on how to proceed. I calculate that the hammer bore was 50 mm when it ought to have been 52 mm given the strike height and the bore angle. For one thing, therefore, the hammers have always over-centred. Since the action is a tied action, it might be possible to raise the action 2 mm, provided the drop screws have head-room, or I may bore the new hammers 2mm longer. Nevertheless I suspect that they will still hit the frame. The casting is generally lumpy in the offending area with some hardened runs of paint. I will be looking closely at the problem next week with bright lights and mirrors and it is almost certain I shall grind down the iron using a die grinder. Pushing the action in further is no solution at all, since I would then lose the strike line and get even worse tone for different reasons. Besides, there is then the risk on this piano of the hammers hitting the far side! I shall bore sample hammers from spares and get them hitting the strings at a right angle exactly on the strike line and set them up for the best obtainable tone. I will then remove 2 mm or so from the nose of the hammers to account for future wear and work out how much iron I need to grind off for the hammers to clear the frame. So far I don't foresee any problems with the job. I have seen pianos, probably Bechsteins, that were ground away at the factory so that the shank of the agraffes is partly flattened off and exposed, and from the look of it this is not the case (YET) with this piano. JD
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