Shteinveigh Qvestion

[Willem Blees]

Alan



I want to echo Bill's reply. I used to take actions home, even Steinways, but after I started working at UA, and taken the Steinway classes, I found that working in the piano is much easier in the long run. Like Bill suggested, take it home to shape hammers and clean out the action, (and any other preparatory work). But other than that, schedule a day at the customer's home. 

I would suggest your prepare the customer for this, though. Be sure he/she knows you're going to be there at (whatever time), and that you will be there at least until supper. You should?take a couple of breaks, go out for lunch, or something, but make sure the customer knows that, too. 

If this is your first time, you might even consider doing it over two days. And more thing. Make sure you have all your tools, equipment,?and supplies with you. There is nothing worse than having to take time to go home for just one little tool. 

Good luck.

Willem (Wim) Blees, RPT
Piano Tuner/Technician
Honolulu, HI
Author of 
The Business of Piano Tuning
available from Potter Press
www.pianotuning.com


-----Original Message-----
From: Alan Barnard <pianotuner at embarqmail.com>
To: pianotech at ptg.org
Sent: Tue, 26 Feb 2008 5:35 pm
Subject: Shteinveigh Qvestion


When I take on a grand regulation job, I examine everything; take notes on how things are working, key to key; bed the frame in the piano; remove the action; examine the belly, trapwork, and lyre--adjusting as needed; take string height measurements; take the action home and put it on the bench; bench regulate best I can; take it back to the piano and fine regulate, etc.

But (and you'll see how sophisticated we are here in the hills) I have never had occasion to regulate a Steinway. So .....

Considering the bowed key frame, "accelerated action", sostenuto on the frame,?etc., are there any changes to my steps that are necessary, anything special to be aware of??Any particular S&S quirks?

Alan Barnard
Salem, MO


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