Hi Marcel. I see that was a bit unclear... tho it does actually say what I meant it to. I just didnt explicitly specify that if you want to check the 6:3 octave <<against>> other octave types then you can just "switch to the 2nd partial of the upper". I kinda thought it was unnecessary as I just referred to the partial switching button in TL. And for the record... it makes no (significant) difference if you use the 6th partial of the lower note or the 3rd partial of the upper note in a reasonably good tuning curve. It the tuning curve is bad tho... then you'd be better off using the 3rd partial of the upper note as it is this frequency the 6th partial of the lower note is to be tuned to. This answers to exactly what we do aurally when using the inside minor third/major sixth octave test yes ? Cheers RicB Ric,I think that if you would like to check a 6:3 octave with TuneLab you would have to set TL to the 6th partial of the bottom note. If you played the octave above it would be measuring the 3rd partial of the upper note. The way you wrote it, you would be measuring a 4:2 octave.Marcel CareyShebrooke, Hi Dan I do this kind of this routinely with Tunelab Pocket. I see the tuning curve as simply a template mostly for the temperament area. The rest I pretty much direct reference as you outline below. Tunelab Pocket has a particularly useful function for this in as much as it has a Partial switching button where you can at the flick of a twitch look at any given partial for whatever note it is you are looking for. So if you want to double check that 6:3 octave you just tuned you can switch to the 2nd partial of the upper (or 4th of the lower) and have a gander at whats going on. Very easy to use Tunelab this way for just about any conceivable aural test. Cheers RicB _________________________________________________________________
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