At 22:46 +0200 23/10/08, andré oorebeek wrote: >What I have to say about it, is that, in - my - experience, >installing a new board always sounded much better than putting new >ribs on an old board. >You know me, I know you, we are old hands in this business, we know >what we are talking about. Maybe, but that is quite different from saying that the wood of which the old board is made has deteriorated through age. Provided it has not been damaged by compression, the wood of the original board could be used to make a new (thinner) board for, say, a harpsichord or antique pianoforte and the result would be as good as or better than new wood. The proposition that age alone causes wood to deteriorate is nonsense. It is the soundboard as a mechanical structure that can deteriorate if it is made in certain ways, but there are many soundboards in very old pianos that are as good as they were 120 or 140 years ago because they were properly designed. The very title of this topic "the finite life of wood grain" is meaningless. JD -- ______________________________________________________________________ Delacour Pianos * Silo * Deverel Farm * Milborne St. Andrew Dorset DT11 0HX * England Phone: +44 1202 731031 Mobile: +44 7801 310 689 * Fax: +44 870 705 3241 ______________________________________________________________________
This PTG archive page provided courtesy of Moy Piano Service, LLC