contiguos M 3rds

Jeff Deutschle oaronshoulder at gmail.com
Wed Oct 29 05:05:50 MST 2008


John:

Don't beat up on yourself, that's someone else's job. ;-)

I usually end up with the M3 inside M6 outside test having the M3 beating a
little slower than the M6. I think this is due more to iH than to stretch.
So, I believe that your statement "A3-C#4 should beat roughly the same as
F3-D4." is correct, especially because of the word "roughly".
On Tue, Oct 28, 2008 at 9:37 PM, John Formsma <formsma at gmail.com> wrote:

> Noah, you are absolutely, totally, and in all other ways, correct.
> I don't know what I was thinking this morning.  Perhaps it was that if you
> rough in A#3 and D4, you'll have something with which to help you place C#4.
>  ???  Maybe I should be kept away from email until after 10:00 a.m.  :-)
>
> Thanks for pointing this out.  I guess you could call it datum internetum
> erratum.  Or something.  I'll try to be more awake next time.
>
> --
> JF
>
> On Tue, Oct 28, 2008 at 10:10 AM, Noah Haverkamp <noahhaverkamp at yahoo.com>wrote:
>
>>   -snip-
>> Do the contiguous M3s F3-A3, A3-C#4, C#4-F4, and F4-A4.  If you refine
>> your A3-D4 interval, that's a good test for the placement of C#4.  A3-C#4
>> should beat roughly the same as F3-D4.
>> -endsnip-
>>
>> Thats interesting, I've always thought of F3-D4 as being roughly equal to
>> G3-B3. If i remember correctly that's what Randy Potter, or at least a
>> section of his course, taught. Playing all 4 notes together should make, by
>> this account, a pleasant harmony and shifting that chord up a half-step 3
>> more times is a sort of test for the temperament. i guess it depends on the
>> octave width?
>>
>>
>> Noah Haverkamp Frere
>> Know-a Piano
>> http://www.knowapiano.com
>> 347-308-0094
>> Fax: 718-701-2071
>
>
>
>


-- 
Regards,
Jeff Deutschle

Please address replies to the List. Do not E-mail me privately. Thank You.
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