Hi Mark, What I was trying to say was that I take my pitch corrrection reading from higher up, and then apply that to the break notes. It is often, on a 26 note bass, that notes 27-32 are much sharper than the rest of thepiano, so I don't use them for deciding how much overpull. I don['t raise a note 5 semitones, the strings would break. -- Ed Foote RPT http://www.uk-piano.org/edfoote/index.html -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech.php/attachments/20090806/c438b99e/attachment.htm>
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