[pianotech] Collard & Collard revisited

Will Truitt surfdog at metrocast.net
Fri Jan 9 16:13:14 PST 2009


It looks like the guy who drilled the pinblock drank his lunch that Friday
afternoon...

 

Will Truitt

 

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf
Of Duaine & Laura Hechler
Sent: Friday, January 09, 2009 9:52 AM
To: pianotech at ptg.org
Subject: Re: [pianotech] Collard & Collard revisited

 

It does not have a plate (this is before - any - adjustments, let off, etc.)



The eye screw adjusts the let off.





Farrell wrote: 

Bob brings up a good question - "why this piano is so low in pitch".  I've
only run across one piano five half-steps flat - and that was an 1870s
American upright that was known to not have been tuned for a good 100 years.
Makes sense to me that it would take about that long for a structurally
sound piano to go that flat.

 

If you look at this piano from the side, any chance the plate looks like a
sideways "U"?

 

Terry Farrell

----- Original Message ----- 

From: bobdavis88 at aol.com 

To: pianotech at ptg.org 

Sent: Thursday, January 08, 2009 6:52 PM

Subject: Re: [pianotech] Collard & Collard revisited

 

Duaine,

Any piano service requires a partnership between the technician and the
owner, but that is especially true on a piano which is in any way risky.
That includes especially older instruments which haven't been serviced in a
long time, or which have a unique design, or which have a weaker structure
or frame. This piano qualifies in spades. I would not work on this piano at
all unless I had had an extensive (paid) conversation with the client about
the many (annoying/expensive/catastrophic) risks, and unless I had a good
feeling the client understood and accepted those risks (usually IN WRITING).


I would worry specifically about why this piano is so low in pitch. Is it
already buckling? If you don't have a lot of experience with this type of
piano, I can tell you it's a good place to get yourself into a position
where you'll look back wistfully to the time before you ever saw it.

There's nothing wrong with working on pre-modern pianos, but they take a
different skill set, and a different mind set.

Good luck,
Bob Davis

 

-----Original Message-----
From: Duaine & Laura Hechler  <mailto:dahechler at charter.net>
<dahechler at charter.net>
To: pianotech at ptg.org
Sent: Wed, 7 Jan 2009 3:38 pm
Subject: [pianotech] Collard & Collard revisited

Today, I just finished the repair and alignment of the overdampers.
 
 
 
The hard part - the tuning.
 
 
 
First, I'm having trouble getting the right tip for the pins.
 
- Standard #2 tip is too big
 
- Standard #1 tip is a little too small
 
- Standard square tip is a little too small
 
- Schaff's oblong tip is a little too big
 
- That leaves a rectangular tip with square corners about the size of a
 
"1-1/2" tip.
 
Where to find such a tip ?
 
 
 
Second, after a long while, I figured that the piano was - extremely -
 
flat - about 5-6 notes flat.
 
In trying to bring it up to pitch, two bass string sent snap.
 
So I'm assuming, to allow for string stretchage, I need at least two passes.
 
Seeking advice on this kind of pitch raise.
 
 
 
Thanks, Duaine
 
 
 
-- 
 
Duaine Hechler
 
Piano, Player Piano, Pump Organ
 
Tuning, Servicing & Rebuilding
 
Reed Organ Society Member
 
Florissant, MO 63034
 
(314) 838-5587
 
dahechler at charter.net
 
www.hechlerpianoandorgan.com
 
--
 
Home & Business user of Linux - 10 years
 
 
 
 
 





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-- 
Duaine Hechler
Piano, Player Piano, Pump Organ
Tuning, Servicing & Rebuilding
Reed Organ Society Member
Florissant, MO 63034
(314) 838-5587
dahechler at charter.net
www.hechlerpianoandorgan.com
--
Home & Business user of Linux - 10 years
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