> Here in Montreal, a very large quantity of pianos are 100 years old. I never > refuse to work on a piano unless the cost of repair is way beyond the worth > of the instrument or the budget is too limited. > > I don't get it, we're piano technicians - why would you refuse to do your > job? Sure some pianos are a charm to work on and some are hell, but that's > what makes it challenging. Also, you get a good reputation and decent money > if you do good work. Just charge accordingly. > > PIANO LANCO > Marc Lanthier It's a matter of what you have to work with. If old upright service makes up a significant portion of your income, you cheerfully work on the old uprights. If you're already faced with more high level concert and studio work, tuning and maintenance, than you can handle, you let someone else do the old uprights. At whatever in between work load mix you may find yourself, you adjust what you're willing to do to accommodate what you're able to do, and unless you're a big fan of futility and frustration, you adjust upward. It just doesn't make sense to abandon higher level work, if it's available, to do patch work on old uprights. Survive first, but be willing to be spoiled should the opportunity present. Ron N
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