I am very aware of the quality of the Hamburg Steinway, Paul. I do consider it to be a better instrument than its New York brother, and always favor Hamburgs over New York in listening to recorded music (where I have had much more opportunity to listen to Hamburg Steinways than in person). And I have heard some absolutely glorious Hamburg Steinways, and greatly enjoyed the music coming out of them. But I genuinely wish that my listening choices in recordings were not so limited to WHICH Steinway I get to listen to. That's where the poverty lies. It's like having a large flower garden where the only flower you will grow is a red rose. A lovely flower to be sure, but the color and olfactory palate is pretty limited, and not as rich as it would be if you introduced a number of other flowers into the garden. Still, I think you missed my point. Nowhere was I saying that it was not an instrument of high quality. It is just that. But there are a number of less well known makes of equal or greater quality, such as Fazioli or Steingraeber. And those instruments have their own distinctive and highly refined sound. They bring a different and wonderful voice to the music, just as Steinway brings its own voice. Steinway's dominance of the concert stage and the high end buying public IS stifling, and we are the poorer for it. Many people will consider nothing but the Steinway, no matter how good the competing piano is. It's already over before they put a hand on the other piano. I'm not saying don't buy a Steinway - just don't consider buying only a Steinway when other great pianos are available. Give them a truly equal opportunity to be played and considered. I am also aware of the Stuart and Sons piano, which I have found a very interesting piano. I have heard several recordings of it, but have not heard one in person, as there are none here in the U. S. And Stuart has to fight the Steinway juggernaut too. I do understand the concept of an opinion. But an opinion that has little basis in direct knowledge is of very limited value. So I don't offer opinions on instruments that I have not seen or heard. I try to be aware of the limitations of my own knowledge, and attempt to be forthright with others as to where my limits are. Respectfully yours, Will -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Paul Knight Sent: Friday, June 19, 2009 9:05 PM To: pianotech at ptg.org Subject: Re: [pianotech] Fazioli I like to think you are talking about steinway new york because if you refuring to steinway hamburg and questions of quality you are sadly mistaken and dont have a clue what quality the pianos are built to. You probably only see 3 hamburgs a year. Its not lockstep thinking that limits creativity and prevents people from being open minded I will give you a example: Stuart and sons Pianos built in Australia are a very nice Piano with a unique sound and very hihg quality build. But the feedback from some artists is that for some areas they are not as good as others. This does not mean they are not good they are. Its the people who decide not Technicians who once see a single piano then compared it to another they rarely see and declare it to be better. Its not a side by side comparison its an opinon. I provided mine you provided yours thats all thats required. You seem to not understand this concept. Regards Paul Knight
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