Brian, I agree with Ruth, and add this story. A couple of years ago I tuned/prepped for a certain "high profile" performer. When the piano came in it was terrible! Specs everywhere, tuning all over the place. I complained to the driver that the last tech must be an idiot... He quietly told me that this was the piano I prepped three weeks earlier, but it had been sitting in the truck since then (-10 degrees at one point) Sometimes it just happens. Jim ________________________________________ From: pianotech-bounces at ptg.org [pianotech-bounces at ptg.org] On Behalf Of Ruth Phillips [ruth at alliedpiano.com] Sent: Sunday, June 28, 2009 9:19 AM To: pianotech at ptg.org Subject: [pianotech] Simon & Garfunkel piano Brian, Regarding your response to Jude Revely's comments, I did not read it as an attack on you, but as saying "out of your expected scope" as one called in for tuning, not to hang new hammers. In other words, he did not say "out of your expected abilities". There was no implication of inadequacy on your part. Ruth Phillips ruth at alliedpiano.com >Brian, FWIW I don't read Ron's post to have anything to do with the tuning as it arrived. We all know concert tuners are dealing with piano trench warfare. I read Ron's comments as more to do with the manufacturing end. The tenor tuning problems refer to the scaling problem which I believe was quite relevant to the thread, and the regulation and hammer hanging also seems out of your expected scope. Best, Jude Reveley, RPT Absolute Piano Restoration, LLC www.absolute-piano.com >Jude Well you have caught me out. Yes, I am only a part time technician who needs more training to understand the basics of piano technology. I thought levelling keys had nothing to do with scaling of a piano. Now where do I find the book that tells me where to rescale a B model whilst discussing key levelling. The regulation and hammer hanging being out of my expected scope. Thank you for lowering yourself to an insult over your opinion of my work.
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