Dean You took the thought right out of my next post to you. The medium we work in is all important but perhaps most hammers can get you to a better place tonally. However truly excellent hammers are capable of what ever the soundboard can deliver. Not all hammers can. Don't be afraid to try though. One thing. If the needles do not go in I'm done. Dale Thanks David L and Dale for your responses. Perhaps, Dale, on your next 30 year old Kawai you bloom you could get your wife to hold the video camera and post a YouTube for us. J I have listened to the pianos on David A’s site. Luscious indeed. So far I haven’t been able to get that close to that sound with stock Asian hammers. Dean Dean May cell 812.239.3359 PianoRebuilders.com 812.235.5272 Terre Haute IN 47802 From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of erwinspiano at aol.com Sent: Monday, March 30, 2009 9:57 PM To: pianotech at ptg.org Subject: Re: [pianotech] idol voicing Hi Dean I do watch the show & I dislike the sound of the piano intensely. It's shut it's all the things David said it is. I'm not found of the sound of Yam concert grands. No offense to whoever, but the sound is boring. For me When I am voicing int eh average home I want to hear the silk or velvet in the sound .. Many hammers are to to train to do that for prolonged period of time. Dean I want a big tone a dark with clarity & with out much impact noise. I hate a preponderance of zing, ping, clang,crash & sizzle. If voicing is first focus don bringing out the fundamental frequency the higher harmonic/partials will shift down as more of the energy feeds the primary pulse wave of the string. The string hammer contact time changes during this process. I realize this isn't a sound but it is a real concept. This is why shoulder voicing in denser pressed hammers is so necessary. It must be made into a spring. Dean, I understand your frustration. I'm not sure this helped. I wish you could stand along side one of us while we file & vocie a 30 year old Kawai hammers with a good board & lsiten to it go from percussive popping pain to singing sustaining beauty. Get the entire cd from David A. with Mike Garson on our redesigned & custom restored Stwy D recorded at the Atelier. Fantastic. Dale I’m listening through a satellite signal, surround stereo wi th subwoofer. I do understand your point, that the sound I’m hearing is not the actual sound of the piano. I guess my request is: pretend that it is. What could be done to fix it or does it need fixed (assuming you watched the show and heard the piano)? Dean Dean May =2 0cell 812.239.3359 PianoRebuilders.com 812.235.5272 Terre=2 0Haute IN 47802 Hi Dean----some questions: ---what speakers are you hearing it through? ---is it just through the the TV, or is there an external amp and system involved? Speaking in a highly simplified manner, the sound you hear is NOT the sound that's coming out of the piano. The signal you hear has been digitally compressed several times along its signal path before it gets to your ears; has lost both real low and real high frequencies; has20had upper midrange frequencies boosted, sometimes in sonically ugly ways. That said, a majority of pianos used in a "pop" situation sound way too bright, clangy, and metallic for my taste---it's like, why not use a digital keyboard if you want that sound? But that's just the way it is: every person grew up with a different "ideal" piano sound; if your tonal memory of great piano sound was formed by Bruce Hornsby and David Foster-produced records, that snarling, lo-fi GH1B sound is just perfect. Every head is a tonal planet: different gravity, different atmosphere. Listen to the pianos on the recordings on my website. We try to capture the brilliance and percussive aspect of the instrument AS WELL AS the golden and throaty aspect. Those recording are, as a whole, pretty good representations of how the pianos actually sound- ---IF you are listening on decent speakers..... 0A Hope this helps..... David A. On Mar 30, 2009, at 8:45 AM, Dean May wrote: Voicing has always been a difficult subject for me and I think many other technicians. Uppermost is the question, exactly what kind of tone are we trying to achieve? For those of us who have not had the benefit of working alongside a master concert prep technician we are left with exploring what is pleasing to us and our customers, who most often are happy to leave well enough alone. So when Dale Erwin, David Anderson, Ric Brenke, et al, use words on this list to describe a wonderful tonal palate of some hammer’s sound, I’m sorta left wondering what that sound really is as I am not there experiencing it. Having said all that as way of introduction, I found myself watching American Idol last week. This is a show I have studiously avoided watching as I vigorously disagree with the premise that a true artist’s career can only be launched by winning the fickle public’s voting lottery. This year they seem to have some good candidates as finalists, and several of them are making use of a 9 foot Yamaha grand. Since I suspect many of you have watched the show, I’d be pleased if you would chime in on what you thought of this piano’s sound. =0 A Myself, I do not care much for it. I find it too percussive and shallow, sounding more like a GH-1B than what it seems like a 9 footer should sound. I don’t know if it is a hammer issue, a microphone issue, or a mixing issue. It might be instructive for us less experience voicers out here if some of you more experienced ones could tell us your opinions of this piano. Perhaps, if you are aware of other high profile pianos on TV shows, you could comment on those as well. Dean Dean May cell 812.239.3359 PianoRebuilders.com 812.235.5272 Terre Haute IN 47802 Get there faster with the MapQuest Toolbar. Try it now. -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech_ptg.org/attachments/20090331/822750db/attachment-0001.html>
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