I guess so but the last time I heard a complaint by a "pitch sensitive person" about the piano being flat it turned out it was sharp. Give 'em what they want, I say, as long as they're willing to pay for it. David Love www.davidlovepianos.com From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Leslie Bartlett Sent: Friday, May 01, 2009 4:07 PM To: pianotech at ptg.org Subject: Re: [pianotech] 440/442? As Dave Porritt says, they're out there, and I've met such, and even tested such. They exist and screwing with their pitches does not make them happy. I find it very interesting to see the phrase "minor variations"- while tuners will scream to high heaven that "minor variations" in one's tuning will get them sent straight to perdition. Just fascinating, this business. les b David Love wrote: I think it's not so much that they hear the difference in pitch but rather the change in the quality of the sound coming from their instrument. I'm not that convinced that 440 - 441 or 441 - 442, or even 440 - 442 can be discerned by most pianists (or piano tuners for that matter), but clearly violinists can tell the difference more by how the instrument sounds with more tension. Similarly, woodwind players can tell the difference by both the change in tone quality and what needs to be done to their instruments change the pitch. Pitch differences are more likely to be an issue with players of instruments other than the piano. When you consider the instrument conditions under which many pianists are forced to concertize, minor pitch variations are probably the least of the problems. -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech_ptg.org/attachments/20090501/dad643bd/attachment.html>
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