I've, certainly, heard an huge change in tone when bringing a piano up to pitch. Isn't that enough of a reason to do it? David Ilvedson, RPT Pacifica, CA 94044 ----- Original message ---------------------------------------- From: "Patrick Mackey" <patrickmackeyrpt at yahoo.com> To: pianotech at ptg.org Received: 5/9/2009 7:39:23 AM Subject: [pianotech] (no subject) >Chuck and Julia and List, >This brings up an issue I have been wondering about. Is there any reason to think >that leaving a piano a half-step flat is actually harmful? It seems that any time I run >across a piano that's been left flat, it is likely to have separated bass bridge/apron, >ribs loose, long bridge cap unglued, etc. I am thinking mostly of uprights if that >makes any difference. >Also, I would like to be included in your photo list. >Also this is my first posting, I've been enjoying the list form the sidelines for a while >and so want to express my appreciation to everyone who contributes. >Patrick Mackey >New Orleans >Greetings, > Are people with "perfect pitch" really bothered by music played >on an old upright that is tuned say, 60 cents or a half step flat because it >cant be brought up to pitch? >Thank you, >Julia >PA >Julia - In my experience, a lot of the times when someone calls and tells me that >there piano can't be tuned up to pitch, it turns out that it's at the advise of a tuner >who either doesn't want to risk breaking strings (which of course can be repaired or >replaced), or who truly believes it will harm the piano, or is just too lazy to put in the >extra time and effort. The only circumstance that would cause me to recommend >against a pitch raise would be a crack (even just a hairline one) in the plate. I did >have a plate break once under those circumstances, and never want to see it >happen again. >. >Aside from string breakage, or pin slippage, there usually is no reason a piano may >not be brought back to pitch. If I were to advise a customer on the procedure, I >would warn them about the potential for additional cost for string replacement, and >also give them my standard warning about the possibility of breaking the plate, >which I compare to the chances of an airliner going down. In other words, it could >happen, but it's sure not very likely. > I also explain that until the piano stabilizes, it will need to be tuned often, as in at >least twice a year, and not let go again for another decade. Otherwise they will be >back in the same boat all over again. >If a customer insists on tuning the piano flat, I will do it once, but then defer to >another tuner. Chuck >
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