Three things: First, you need to be able to feel the pin move (it's a tiny little click) through the lever in your fingers; second, you need to be able offset the twisting of the pin with a slight pressing down of the lever (bending of the pin) so that the twisting of the pin doesn't cause a change in the pitch before the pin actually moves; and third, you need to be able to judge by feel the tightness of the pin in the block to know just how much pressure on the lever you need to offset the pin twisting. The only way to get that is through targeted practice with that specific goal in mind. It's a little easier on a grand piano, btw. David Love www.davidlovepianos.com -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of David Nereson Sent: Wednesday, November 03, 2010 11:57 PM To: pianotech at ptg.org Subject: Re: [pianotech] shorter final tuning time with pitch raises; forearm smash Thanks, everyone, for your replies -- it all helps. Maybe I'm listening too long and thinking too much. But I've observed tuners at conventions who hit a unison that's out, and in one quick single movement of the tuning hammer, hit the beatless spot first time. That happens for me on maybe one in thirty unisons. On all the rest, I've either over- or undershot the intended target, and then have to pound away, beating it back down, or cranking it a little farther up, until it's "on." There's such a variance in how far you move the lever before the string moves. In some pianos, the lever can rotate through 10 or 15 degrees before a pitch change is heard, and in others, if you even look at the pin askance, it will change pitch. --David Nereson
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