Phil, Thank you for this question. I have been tuning for about 7 years, so I have limited experience. Tuning stability, however, will always in the forefront of my mind. Whether a technician has a wide range of skills or a narrow range of skills, the quintessential skill in our profession is the ability to produce a solid, stable tuning. Recognizing that every technician invests a different amount of time and effort into their own professional development, I have always leaned toward focusing on fundamentals. If you can produce a stable tuning, at least you can deliver a product worth selling, even if that's all you can do. To add what has already been said, here is my perspective on tuning stability. 1. Tight pins that render well--- I pull the string slightly above pitch, then below pitch, then center the string with a clockwise pull of the hammer. Pounding it in is less important. 2. Tight pins that DON'T render well--- I pull the string slightly above pitch, then below pitch, then I repeat the process until I feel that I have equalized the string tension, as much as possible, between the tuning pin and capo bar / capo bar to speaking length. Leaving the pitch slightly sharp, I pound the note down to pitch. 3. "Soggy" pins that render way too easily--- This type of pin is way to sensitive to the slightest pressure from the hammer. I pull the string above pitch, below pitch, then slightly above pitch. As I settle it back down, I push it slightly below pitch then pull it up very slightly to pitch. I want the last movement of the hammer to be pulling the note up. The last movement, to me, is my effort to relax the flexing of the pin. This point is the point I "feel" the pin is the most stable. I don't try to force it to the place I want the pitch to be. If the pitch is sharp, I pull it sharp to the point where I feel the tuning pin twisting at the bottom of the pin. I repeat the process until the pitch is right. Pounding is less important. My techniques are still a work in progress. -John Parham Hickory, NC > -------- Original Message -------- > Subject: Re: [pianotech] Stability techniques > From: Phil Bondi <phil at philbondi.com> > Date: Sat, October 30, 2010 8:37 pm > To: pianotech at ptg.org > > > Hi Tom. Thanks for that reply. > > I've been caring for the area Steinway for 12 years so I > feel I have some experience. > The reason for the question was more for finding out what's > out there..who is doing what. The venue where the piano > resides is not as active as it has been in the past, so > these tunings need to be more solid overall. The C#5/D5 > break area of this D has always been a puzzler for stability > until I beat all 6 strings within a mil of their life last > year. This is the first time I have seen the piano since > April. Overall I am pleased with how it weathered the summer > and how it has faired through its first and second tuning of > the season. > > Just looking for other ideas..and thanks for yours. It is > appreciated. > > -daRook
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