That's sadly dismissive. I don't think I'd characterize learning to pay attention to the tactile aspect of tuning (the essence of what I'm saying) esoterica or psychological pathology. It's an important, maybe critical, aspect of tuning often not mentioned or discussed. Hearing is one thing, controlling the pin is something very different and an essential skill that would not be fairly characterized as "easy" for those trying to learn.. David Love www.davidlovepianos.com -----Original Message----- From: Ron Nossaman <rnossaman at cox.net> Sender: pianotech-bounces at ptg.org Date: Fri, 05 Nov 2010 13:19:21 To: <pianotech at ptg.org> Reply-To: pianotech at ptg.org Subject: Re: [pianotech] shorter final tuning time with pitch raises; forearm smash On 11/5/2010 12:52 PM, David Love wrote: > So until one changes or enhances the approach from tuning reactively to > tuning anticipatorily, there will be a limit on the speed with which they > will be able to perform an accurate and stable tuning. Whatever. My report remains that those willing to attempt a rapid fire keystroke, while moving the lever and tuning mostly in the attack report a near immediate (often dramatic) decrease in total tuning time, with typically better quality and stability than they did tuning in the decay, however many years they've been tuning. That's within days or weeks, not countless hours, and it becomes automatic very quickly. This indicates to me that it's not that tough. Someone else can sort out the esoterica and psychological pathology involved. I'm just offering an easy and practical change in approach I've seen work a number of times. Those that have made it work for them love it. Those that haven't tried it don't have a clue either way. Those that are satisfied with what they are currently doing don't care either way. Ron N
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