On 11/5/2010 1:46 PM, David Love wrote: > That's sadly dismissive. I don't think I'd characterize learning to > pay attention to the tactile aspect of tuning (the essence of what > I'm saying) esoterica or psychological pathology. It's an important, > maybe critical, aspect of tuning often not mentioned or discussed. > Hearing is one thing, controlling the pin is something very different > and an essential skill that would not be fairly characterized as > "easy" for those trying to learn.. I'm not addressing all the details, nor am I particularly interested in discussing them as opinions. Lacking even data, let alone facts, opinions are all I have there, so that pretty much decides it for me. My suggestion dealt directly with a very basic and very simple approach to wasting less time in the tuning process without sacrificing quality. It was never intended to answer all the questions, and account for all the details, and it never will. Neither will I. You may proceed without me, with my blessing, as deeply into it as you wish. I've delivered the information I think I'm qualified to pass on as useful and proven. That was, and is, my intent. If being reluctant to be sucked into what is most likely a bottomless discussion peripheral to the question is sadly dismissive, then so be it. Ron N
This PTG archive page provided courtesy of Moy Piano Service, LLC