By the way, that link is from a bit more than a month ago: http://www.economist.com/node/21542380 As a community orchestra concertmaster I play a gorgeous violin I made a few years back. I would sell it for 1% of the price of a Strad if someone made an offer, though. I was inspired in my design by piano soundboard knowledge shared by Darrell Fandrich at a chapter meeting. --John Ashcraft On Tue, May 1, 2012 at 1:52 PM, David Love <davidlovepianos at comcast.net>wrote: > Check out the article in the Economist about a month or two ago comparing > the sound of various vintage violins against new ones. A blind listening > experiment. I won't ruin it by telling you which ones came out ahead. > > David Love > www.davidlovepianos.com > (sent from bb) > > -----Original Message----- > From: Paul Williams <pwilliams4 at unl.edu> > Sender: pianotech-bounces at ptg.org > Date: Tue, 1 May 2012 20:29:31 > To: pianotech at ptg.org<pianotech at ptg.org> > Reply-To: pianotech at ptg.org > Subject: Re: [pianotech] Gen-u-whine Steinway parts > > As beautiful as a Strad sounds, the strings made in the day are not > available anymore..or are they? Cat gut just can't be around. Certainly, > a bridge must have been replace in 300 years, but Mr Strad didn't do it, > nor could have. A tuning nut, etc, whatever: When is the line drawn? > > I once was an actual employee for a piano store and was told to shut my > mouth when we held those huge warehouse sales and all I was to do was tune > and look busy! Believe me, that only lasted a few months! I couldn't > stand hearing the salesman push "oh, this piano is all original and on and > on (looking at a 1930's Stark or something they were trying to push off > for $3,500!!!) Ugh! "But look here at this beautiful new (%* grand you > can get for the same price! No problems with it, one free tuning, and > you're good to go for years! > > Paul > > > On 5/1/12 2:57 PM, "Don Hubbs" <donhubbs at mwt.net> wrote: > > >You might try comparing yourselves with the craftsmen who set up other > >fine > >stringed instruments. There are better and lesser makes of violins, etc., > >but no professional or even good amateur would play one right out of the > >box. They are often modified with better strings, bridge adjustments, > >fingerboard adjustments, etc., without which they would often be mediocre > >at > >best. > > > >If you are regularly called on to finesse concert instruments, let your > >customer know that, too. > > > >Salesmen are salesmen. They can sell a way too bright piano as "voiced for > >jazz", while keeping a straight face. You have to sell your craft as the > >finesse that makes all the difference. > > > >Don Hubbs > > > >-----Original Message----- > >From: Encore Pianos [mailto:encorepianos at metrocast.net] > >Sent: Tuesday, May 01, 2012 11:56 AM > >To: pianotech at ptg.org > >Subject: Re: [pianotech] Gen-u-whine Steinway parts > > > >Well put, Jim. And Steinway plays on that insecurity to the hilt. > > > >Will > > > >-----Original Message----- > >From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On > >Behalf > >Of jim at grandpianosolutions.com > >Sent: Tuesday, May 01, 2012 10:41 AM > >To: pianotech > >Subject: [pianotech] Gen-u-whine Steinway parts > > > >Dale I feel your pain. > > > >However, as a point of constructive discussion, regarding human brains in > >general regarding this problem, I would like to look at this problem from > >a > >different perspective. As a disclaimer, I'm sure you know that I share > >your > >passion for piano rebuilding as the committed pursuit of beautiful piano > >sound. (If it weren't for the possibility of creating beautiful sound, I'd > >probably just be selling life insurance or some other yuck-and-a-half.) > > > >But...let me set up a hypothetical scenario, with me as a piano buyer > >(assuming by some amazing stroke of unlikely-ness, I had some serious > >bucks > >to spend on a real nice piano.) > > > >In this scenario, if had come by enough money to manage a one-time, big > >bucks purchase of a piano, (as in get it right, because I wouldn't be able > >to try again), I could easily see myself majorly conflicted between a > >really > >fine rebuild and a big name-brand piano purchase. Being brutally honest > >with myself, in my mind, given the funds to purchase a big name brand, I > >believe I would be conflicted in choosing a rebuild over a big name-brand > >piano despite that fact that the conflict goes against my very existence > >as > >a life long artisan-craftsperson/musician, and despite the fact that I > >know > >as a technician how lousy these new brand -name pianos sound on the "lot". > > > >Having only one shot at the "right" piano, especially when the acquisition > >of that "right" piano is so central to my experience of music, I know that > >the decision would have a great likelihood of creating some base line of > >disappointment. And, though its irrational, and goes against everything > >that I know about lousy pianos sounding on the big-name piano "lot", the > >"authority" which brand names acquire would tempt me to put my trust in > >the > >brand as something larger and more authoritative than a single guy in his > >shop...therefore more likely of avoiding disappointment. > > > >My reasoning above is convoluted, irrational, and just plain bulls..t. > >However, I also know this line of thought needs to be countered in the > >working of my own mind. I pin the conflict on some sort of evolutionary > >detritus, but there it is, despite the fact that it gnaws at the very > >foundations of who I am as an artisan...but...still...it is there if I am > >honest with myself. > > > >I solved this problem by making my own piano. it removes the money from > >the > >equation, and gives me control over the outcome, as well as tools ton > >overcome shortcomings. > > > >But I cheated. > > > >Customers don't have this control, and are utterly dependent on others for > >the outcome of their quest. > > > >Just some thoughts, as I mull over how one can actually sell a fine > >rebuild, > >regardless of how excellent the rebuild is, when we all are evolutionarily > >still somewhere at the level of a bloody pickerel. > > > >Jim Ialeggio > > > >-- > >Jim Ialeggio > >jim at grandpianosolutions.com > >(978) 425-9026 > >Shirley, MA > > > > > > > > > > > > > > > > > -------------- next part -------------- An HTML attachment was scrubbed... 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