On 5/11/2012 12:04 AM, Duaine Hechler wrote: > I just don't think it is necessary to drive myself totally nuts, just > to figure out which chord is beating faster or slower - and - counting > the beats !!!!! I REALLY should step aside for this .... but, hope springs eternal. One does not "COUNT" the beats, except maybe as a theoretical exercise during the initial learning phase -- any more than a pianist "counts" sixty beats per minute when setting a tempo. ("45 - 46 - 47 ---- OOPS! Lost count and a minute isn't up yet!") A pianist has a rough idea of what one beat per second sounds like ("one thousand one", etc.) and that is plenty good enough. Musicians develop a canny sense of tempo, and know whether a particular piece is faster or slower than what they are used to. It's just a question of familiarity. One hears the approximate speed of the beating, and then compares different rates. For instance, is F3-D4 just slightly faster than F3 to A3? In the temperament I use, the only rate which I need to have approximately memorized is F3-A3, and that is just a starting point. All the rest is done by ratios. Each piano wants a slightly different F3-A3 and a slightly different increase going up the scale, anyhow. I haven't "counted beats" for 32 years. Susan (happy dinosaur) Kline -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://www.moypiano.com/ptg/pianotech.php/attachments/20120511/c1b3049d/attachment-0001.htm>
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