On 5/15/2012 8:42 PM, David Renaud wrote: > >> >> The only way it will mean anything is if it is done as a master >> tuning by a test committee on a piano previously tuned by a test >> committee as a master tuning at a significantly different RH%, and >> the recorded tunings compared. >> >> Ron N > > That can be done also, Two master tunings at two times of year, > different humidity levels. It's alot of work, requiring 3 people for > two days time span. Yes, I understand that. Since the master tuning is recorded for testing purposes after it's tuned, I also presume there are already existing recordings of just those tunings under different RH conditions on the same piano. If anybody saved those tuning recordings, the data already exists. > But I am still interested in meassuring inharmonisity samples > seasonally for myself. Easy to collect that data starting > immediately. And collecting data with verituner will also show if > the actual harmonics are changing or not. This will prove if the > harmonic content of the piano is or is not changing with seasonal > fluctuations in the board, and resulting changes in stiffness. Yes, only I'd like to see finished tuning recordings as well as just inharmonicity measurements. > Since aurally we do actually tune to those harmonics it would change > how we tune aurally the same piano in different seasons. What do you think this is about? > Therefore, proving the harmonic structure of the sound changes > seasonally would very strongly suggests the master tuning would > change also. It then would have to be tested aurally on the same > master tuning twice as suggested. It should also affect the repeatability of ETD tunings, which this is also about. Ron N
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