Dear List: Nevin Essex, one of our colleagues here in Cincinnati, had been flying around the country doing some high-end regulation/voicing/troubleshooting on Baldwin Artists' home pianos. For a voicing solution that he could get on an airline with, he came up with granulated shellac, which he would mix with locally-available denatured alcohol once in his destination city. Shellac is easy to work with, seeming to generate fewer undesirable high partials and more gutsy volume than pyralin or lacquer. It seems to me that piano manufacturers stopped using it not because lacquer sounds better in the piano hammer, but because lacquer was better as a cabinet finish, and so that's what was sitting around. I think it would do an especially good job on the shoulders of bass hammers, or even under their strikepoint (if hammer softness is the problem.) ---------------------------------- Lawrence Becker, RPT College-Conservatory of Music University of Cincinnati ----------------------------------
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