Don and list, Here's a stab at specific changes I would like to see in the guidelines: 1) I think the basic formula (60 per 1 FTE) is sound enough. I would like to see a supplement with "real life" work loads as well, to the extent we have information. It would make sense to have a few categories. Perhaps a "Conservatory" (Juilliard, Eastman, Curtis, Cincy, and the like), a "Prominent Music Program" (including flagship state universities like Indiana, North Texas, SUNY Stonybrook as well as places like Yale), and "The Rest." An average "pianos per FTE" for each category, together with a footnote listing those institutions included in arriving at the average. It would be nice to have something for smaller departments with contract work as well, but coming up with a format (number of tunings, budget for repairs/rebuilding, weighted for number of pianos) would be troublesome. Adding "real life" would make the document have greater impact I think, even if the numbers fall below ideal for the most part. It would show where the individual department falls within the peer structure. 2) Humidity: I'd like to see the multiplier beefed up to maybe 0.5, maybe with a notion that this would apply for swings of 60% or more, with lesser multipliers for lesser swings. And some prose added concerning modern air exchange systems, pointing out the tremendous degree of instability they introduce into the interior environment and its impact on pianos. No numbers here (I don't think we have data), but just a strong recommendation for humidity control (whether building-wide or piano-installed). 3) Piano replacement: I think we should make a stab at stating life-expectancy of pianos, recommending a replacement cycle. I created my own in a recommendation for my department, suggesting the following: Uprights, maintain an average age of 20 years, maximum age of 40. Grands, maintain an average age of 30 years, maximum of 60, with major rebuilding as a component. (And yes, I think quality grands can easily last longer, especially if rebuilding includes soundboards, but there needs to be SOME replacement budget). Mention should be made that pianos wear in relation to usage and environment, and that they can be cycled from location to location to maximize longevity. In addition, I think there should be some mention of piano loan programs as a way of ameliorating situations, noting that typically they will require 50-75% more technician time per piano for upkeep due to tuning instability and "dealer prep." Regards, Fred Sturm University of New Mexico
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