Here's another scenario: Is there one piano that is the most exposed or has the most playing time? If there is, tune that one as best you can. This would be your "supertuning." Record the tuning carefully on your RCT or SAT and then tune the other three to match the first one. One question related to all of this is which is more important, matching unisons piano to piano or having each tuned well and let the unisons between the two fall where they may. I have never tuned more than 2 piano together, but when I do, I pick one, tune that one the best I can and then match unisons. I figure having one piano tuned and sacrificing the other is better than not having either one in tune. What do you all think? Richard West University of NE
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